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Well, yes. And that Relapse invest themselves in a progressive-sludge metal band is no surprise either. A lot of people compare them to Mastodon who are this label’s golden egg laying goose. I’m usually not enough of pretentious artfag to write about bands like this one but I poured myself a glass of wine just to even things up…
Yes, my first association upon hearing “Blue Record” were Mastodon as well, although Baroness have a stronger punk vibe to their sound. The songs in the album aren’t the longest ones ever – they usually clock around four or five minutes, half of their length being an instrumental intro. During this time though, the band puts a lot of ideas in the songs, usually on multiple layers, so the CD is heavy to listen to. And that is the point.
The whole thing has a framework structure – opens with “Bullhead's Psalm” and closes with “Bullhead's Lament”. In between there are standout tracks like “Swollen and Halo” with its uniquely catchy intro melody that also appears as a prelude later. “A Horse Called Golgotha” features a more distortion and a metal sound, while it also has a certain electronic vibe that brings me back to Killing Joke’s last one (a place I happily spend time at). And I personally couldn’t shake off the feeling that “The Gnashing” and its beginning remind me of Bulgarian punk-rockers Kontrol and their song about growing weed in the forest “Otivam tam”. And this is totally not a bad thing either, ha-ha!
The production is what you’d expect from a similar band. And it is intentionally not the crispest one ever – it features a lot of distortion and a 70’s sound. Super! The album sounds more focused and is easier to get into than its predecessor “Red Record”, which was much more of a case of “art for art’s sake”. At least as far as I understand. I also don’t know nothing about wine, but that one bottle I just drank sure made me feel good…
Verdict: 5 / 6
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